Mondauk Common:
Michael-Patrick Harrington's Blog

This Week’s Turntable…

  1. Brill Bruisers by the New Pornographers (2014)
  2. Songs of Innocence by U2 {the deluxe edition} (2 CDs; 2014)
  3. Art Official Age by Prince (2014)
  4. PlectrumElectrum by Prince & 3rdEyeGirl (2014)
  5. Compact Command Performances: 15 Greatest Hits by Marvin Gaye {compilation} (1983)
  6. Strange Days by the Doors (1967)
  7. All Hands on the Bad One by Sleater-Kinney (2000)
  8. Blacklisted by Neko Case (2002)
  9. Tarantula by Ride (1996)
  10. Suede by Suede {aka London Suede} (1993)

What are you listening to?

 

U2, “The Miracle (of Joey Ramone)”

https://www.youtube.com/watch?v=pEkRy9EX3t8

The Doors, “People are Strange,” performed live

https://www.youtube.com/watch?v=RoYWqi5XVGY

 

 

 

 

This Week’s Turntable…

 

  1. Brill Bruisers by the New Pornographers (2014)
  2. The Voyager by Jenny Lewis
  3. PlectrumElectrum by Prince & 3rdEyeGirl (2014)
  4. Art Official Age by Prince (2014)
  5. In the Future by Black Mountain (2008)
  6. Are You Experienced? by the Jimi Hendrix Experience (1967)
  7. Ram by Paul & Linda McCartney (1971)
  8. Toys in the Attic by Aerosmith (1975)
  9. Weezer (The Blue Album) by Weezer (1994)
  10. Greatest Hits by Billy Idol {compilation} (2001)

What are you listening to?

 

Weezer, “Buddy Holly”

Billy Idol, “Rebel Yell”

Black Mountain, “Wucan”

 

The 40th Anniversary of Patti Smith’s Horses

From RollingStone.com:
Patti Smith Plans ‘Horses’ 40th Anniversary Celebrations for 2015
The singer also previewed her next book, which follows up 2010’s ‘Just Kids’

By Kory Grow | October 7, 2014

Patti Smith will not let the 40th anniversary of her breakthrough debut album, Horses, go unnoticed next year. Although the punk icon has yet to confirm dates, she plans on holding Horses-related events around the world, where she will perform the album.

“The exact date is November 10th, and I want to celebrate it in New York in a special way,” Smith tells Rolling Stone. “We have things we’ll be doing in Paris and London, everywhere, because it’s a true milestone. I’m proud to have a milestone like that.”

The significance of putting the album out on November 10th is something that still makes Smith laugh. Originally, she had planned to put Horses out on October 20th, what would have been 19th century French poet – and major Patti Smith inspiration – Arthur Rimbaud’s 121st birthday.

“Something happened because of the gas shortage – they didn’t have enough vinyl – and it was postponed and I was really upset,” she recalls. “Then [Arista Records founder] Clive Davis told me, ‘Really sorry, it’s going to be November 10th. There’s nothing we can do that.’ And I just laughed and said, ‘Well, that’s the anniversary of Rimbaud’s death.’ It was still magical.”

The singer says she’s looking forward to commemorating the record, which contained the single “Gloria” and many songs that have become concert staples like “Redondo Beach” and “Free Money.” “I think we continue to deliver all of these songs sometimes stronger than when I was young,” the 67-year-old says. “So I’m going to be happy to celebrate it, to perform the album with happiness, not with any kind of cynicism or a cashing-in thing. It will be a true, proud celebration, so the answer is yes.”

Smith points out that her band still features her longtime collaborators guitarist Lenny Kaye and drummer Jay Dee Daugherty, who both played on Horses, as well as bassist Tony Shanahan, with whom she’s played since her return to the stage in the mid-Nineties. “If my pianist [Richard Sohl] hadn’t died young, he would be right with us,” Smith says. “My son and daughter often play with me.”

Along with the singer’s band, Smith’s son Jackson and daughter Jesse will also feature on an album she is currently working on. “They’re really gifted musicians, like their father,” Smith says, referring to the late MC5 guitarist Fred “Sonic” Smith. The vocalist hopes to get into the studio this winter.

Smith is also finishing up the follow-up to her 2010 book Just Kids, which documented her relationship with photographer Robert Mapplethorpe and won the National Book Award for Nonfiction. “It’s due Friday,” she says.

Smith describes the book’s content as being “sort of in present tense,” which contrasts Just Kids. “I wanted to write a contemporary book or just write whatever I felt like writing about, and it’s things going from literature to coffee to memories of Fred in Michigan,” she says. “It’s whatever I felt. I hopped on a train and kept going.”

The singer shared the news during an interview with Rolling Stone – detailing the songwriting process for “Mercy Is,” the song she wrote for the movie Noah – which will run in full next week.

Patti-Smith-Horses

Patti Smith & Nico…

This sounds amazing!

From RollingStone.com:
Patti Smith Performs Haunting, Unorthodox Nico Tribute

Joined by family and friends, the punk legend offers a stirring interpretation of the singer’s tragic death

By Sarah Grant | October 3, 2014

Little has been written about the relationship between the kohl-eyed singer Nico and punk iconoclast Patti Smith. Nevertheless, on one occasion in 1978, 10 years before Nico would suffer a fatal heart attack while riding her bicycle in Ibiza, Smith bought her a harmonium. It was from Paris. “I was so happy and ashamed,” Nico later said, “I cried. I was ashamed she saw me without money.”

The bellows of that signature instrument, a token of the singer’s bond with Smith, anchored last night’s performance of “Killer Road,” a so-called “sound exploration of the tragic death of Nico” that took place at the French Institute Alliance Francaise as part of the organization’s annual Crossing the Line festival. From the moment Smith walked unceremoniously to the microphone, following her daughter, multi-instrumentalist Jesse Paris Smith, and audiovisual unit the Soundwalk Collective, the presentation was hypnotic, unorthodox and rendered in near darkness. A large projection screen illuminated the stage while scenic footage of Nico’s former bicycle paths wafted in and out of focus, and video artist Blake Carrington used automation software called Touch Design to obfuscate the pictures in time with the music.

Nico’s poetry is brooding and precise, and Smith’s delivery took on the full range of that potential, drawing out its many contradictions. Throughout the show, her tone shifted from ominous to aimless, and moments of intense emotion were matched by diminutive whispers. As an artist, Nico was interested in the overlap of beauty and ugliness, and to a certain extent, her creative style exemplified that.

Knowing this, Smith intuited the poetry’s strongest images as only a contemporary could. She conveyed both the calm of “a dragonfly laying in coat of snow” and the disillusionment of being left on a path replete with “broken bridges.” She read “my only child … my boy” like a secret, with two hands placed over her heart.

Soundwalk, meanwhile, paired Smith’s technique with the sounds of nature, cycling between crescendo and decrescendo. The group’s members – Stephan Crasneanscki, Simone Merli and Kamran Sadeghi – were arranged around what appeared to be a musical laboratory, a table sprawling with instruments both primitive and futuristic: everything from crystal orbs to wind chimes to fountains of wires shooting from iridescent laptops poised to begin looping sound. Toward the end, Paris Smith accompanied her mother on an inharmonic instrument called a waterphone, filling the theater with a pall of mystery.

Despite fleeting moments of humor – as when the elder Smith tossed in a verse about her phone dying – the evening was tinged with peril. The sound of beach waves tilted into footsteps approaching in the sand, the thrum of honeybees transformed into a thick swarm. “Killer road is waiting for you like a finger in the night,” Smith seethed in a moment that felt like an echo of “It Was a Pleasure Then,” a song from Nico’s solo album Chelsea Girl. Briefly, it sounded as though Smith’s voice was enacting John Cale’s guitar, and Nico’s desultory words hung in the air: “If I seem to be afraid to live the life that I have made in song/ It’s just that I’ve been losing so long.”

This Week’s Turntable…

 

  1. Brill Bruisers by the New Pornographers (2014)
  2. PlectrumElectrum by Prince & 3rdEyeGirl (2014)
  3. Art Official Age by Prince (2014)
  4. I Hate Music by Superchunk (2013)
  5. Wicked Will by the Ettes (2011)
  6. Teeth Dreams by the Hold Steady (2014)
  7. Devils & Dust by Bruce Springsteen {dual disc} (2005)
  8. English Oceans by Drive-By Truckers (2014)
  9. Surfer Rosa by the Pixies (1988)
  10. Melissa Etheridge by Melissa Etheridge (1988)

What are you listening to?

Bruce Springsteen, “Devils & Dust”

Prince, “Breakfast Can Wait”

https://www.youtube.com/watch?v=GHbyNrGXpAA

Melissa Etheridge, “Like the Way I Do,” performed live

 

 

 

The Doylestown Bookshop Signing

The signing at the Doylestown Bookshop on September 27th. was great fun.

The Sweater Girl Book Tour rolls on! Come get your book signed at the Ambler Main Street Oktoberfest in Ambler, PA on Butler Street. Click the link for more information!

Here are a couple of photos from the Doylestown signing.

My sister, Kathie, played the role of my personal assistant. She’s awesome, and I am very grateful! Kathie also made the insanely great chocolate chip cookies you see on the table, surrounded by my 4 books. Special thank you to Krisy Paredes, the shop’s publicist, who put this awesome event together. Thank you also to my friend and copy editor, Beth Meier, who stopped by and hung out with us for a while. And much gratitude to everyone who came out to support local authors!
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OLYMPUS DIGITAL CAMERA

This Week’s Turntable…

 

  1. Brill Bruisers by the New Pornographers (2014)
  2. Wicked Will by the Ettes (2011)
  3. Back in Black by AC/DC (1980)
  4. Hypnotic Eye by Tom Petty & the Heartbreakers (2014)
  5. Uh-Huh by John Cougar Mellencamp (1983)
  6. The Essential Blue Öyster Cult by Blue Öyster Cult {compilation} (2003)
  7. World Outside by the Psychedelic Furs (1991)
  8. The Very Best of the Stone Roses by the Stone Roses {compilation} (2002)
  9. Until Tomorrow Then: The Best of Ed Harcourt by Ed Harcourt {compilation} (2007)
  10. A Night at the Met by Robin Williams {comedy album} (1986)

What are you listening to?

 

The Ettes, “Excuse”

 

John Mellencamp, “Crumblin’ Down”

 

Robin Williams, A Night at the Met, excerpt

 

 

Signing at Doylestown Bookshop today!

In two hours, my signing at The Doylestown Bookshop begins! I will be there from 2-3:30, appearing with author Nicole Maddalo Dixon as part of Local Author Saturday. I will have cookies!
16 S Main Street Doylestown, PA (215-230-7610)

If you can’t make it to Doylestown, next Saturday, October 4, I will be signing books at the Ambler Main Street Oktoberfest from 10-6.
Held on Butler Street, Ambler, PA (215-646-1000 Ext.121)

doylestown frontstore