Mondauk Common:
Michael-Patrick Harrington's Blog

Can You Believe This?

I read this and my head begs to explode…

From RollingStone.com:
Rage Against the Machine Defy Ethnic Studies Ban, Says Arizona Schools Chief
KRS-One also targeted for “promoting resentment toward a race or class of people”

By Kory Grow | January 5, 2015

Arizona’s departing state superintendent of public education, John Huppenthal, spent his last day of work targeting the Tucson Unified School District for violating the state’s ban on ethnic studies, according to the Arizona Daily Star. In particular, the “notice of noncompliance” he sent the district’s superintendent, Dr. H.T. Sanchez, on January 2nd highlighted two music-related violations: the use of the Rage Against the Machine 1992 song “Take the Power Back” in Mexican-American history and an introduction to hip-hop written by KRS-One in an English class taught from an African-American perspective.

Huppenthal’s notice cited lyrics from “Take the Power Back,” with asterisks covering profanity, and linked to the rap trailblazer’s essay in which he defines hip-hop as “the artistic response to oppression.” Both instances were in reference to classes taught at Tucson’s Cholla High Magnet School. The notice also noted a handout that asks, “Why was American slavery the most brutal in history?” and the requirement for students to recite Mayan and Aztec teachings daily. The classes replaced a Mexican-American Studies class that was deemed to violate the education law.

The schools chief threatened to cut state funding for the district by 10 percent if it did not comply with the law by March 4th, according to The Arizona Republic.

Huppenthal claimed that these instances, along with others not listed in the complaint, were not in compliance with a piece of Arizona legislation, passed in 2010, that limited the contents of classroom curricula. Specifically, Huppenthal said that the courses “promote the overthrow of the United States government,” “promote resentment toward a race or class of people” and “advocate ethnic solidarity instead of the treatment of pupils as individuals,” per the wording of the bill. A lawsuit seeking to overturn the law will go before the 9th U.S. Circuit Court of Appeals this month, RawStory reports.

Rage Against the Machine guitarist Tom Morello commented on the matter on Twitter, claiming that his band’s and rap lyrics are “only dangerous if you teach [them] right.” Representatives for KRS-One and Huppenthal did not immediately reply to a request for comment.

Corey Jones, who teaches the Cholla Magnet course U.S. History Culturally Relevant Mexican-American Perspective – which interpolates Rage Against the Machine lyrics into the curricula – tells Rolling Stone that he was not surprised by Huppenthal’s letter and that he was “a little bit embarrassed” to live in a state with these politics. The purpose of teaching Rage lyrics was from a social justice perspective, and he says his students – half of whom did not know the band prior to the class – loved the song. Currently, Jones has no plans to change his course, which he designed to encourage students to want to change the world for the better.

“Arizona’s becoming a more fascist state,” he says. “When you’re banning and censoring material, for a state that proclaims local control, for a state that proclaims so much freedom – and yet in Phoenix you’re having one of the highest elected officials of the state comb through my curriculum and say, ‘This is illegal, you can’t teach that’ – the contradictions are glaring.”

“I am deeply concerned by the fact that the noncompliance appears to extend beyond classes taught from the Mexican-American perspective and now also includes classes taught from the African-American perspective,” Huppenthal said in a statement, adding that he wants “students, regardless of their race or ethnic background, [to] have access to a high quality education.” He also wrote, “In issuing this finding before classes resume, I am hopeful that the district will take immediate action to comply with the law.”

Sanchez did not immediately reply to Rolling Stone’s request for comment, but released a statement last week saying that he had requested a meeting with the outgoing superintendent, but had not heard back from him. “These courses were developed specifically under the court order,” he wrote, according to the Republic. “That order – the Unitary Status Plan – requires us to develop and implement culturally relevant courses taught from both the Mexican-American and African-American perspectives.”

Sally Stewart, the spokeswoman for the state’s Department of Education, said that Huppenthal’s replacement, Diane Douglas, would “keep the ball rolling” and follow up on her predecessor’s notice. Douglas’ chief of staff did not reply to requests for comment from the Republic on Friday.

Although Huppenthal was the incumbent option for the Republican primaries last year, the Grand Old Party ultimately selected Douglas as its candidate. She won the general election last November and assumed office on January 5th.

Read more by clicking HERE.

 

The 40 Best Albums of 2014

Rolling Stone recently unveiled their 40 Best Albums of 2014. (On RollingStone.com, they had the 50 Best Albums of 2014!)

Now it’s my turn: here are my 40 Best Albums of 2014

1. The Bootleg Series Vol. 11: The Basement Tapes Complete by Bob Dylan & the Band {recorded 1968-69} (6 CDs)
2. Brill Bruisers by the New Pornographers
3. High Hopes by Bruce Springsteen & the E Street Band with Tom Morello
4. St. Vincent by St. Vincent
5. Teeth Dreams by the Hold Steady
6. The Voyager by Jenny Lewis
7. Lost on the River: The New Basement Tapes by the New Basement Tapes
8. Songs of Innocence by U2 (2 CDs)
9. The Album Collection Vol 1: 1973-1984 by Bruce Springsteen & the E Street Band {remasters of the first 7 albums} (8 CDs)
10. Hypnotic Eye by Tom Petty & the Heartbreakers
11. Lazaretto by Jack White
12. Do to the Beast by the Afghan Whigs
13. Are We There by Sharon Van Etten
14. They Want My Soul by Spoon
15. Stockholm by Chrissie Hynde
16. Monuments to an Elegy by Smashing Pumpkins
17. English Oceans by Drive-By Truckers
18. Somewhere Under Wonderland by Counting Crows
19. I’m Not Bossy, I’m the Boss by Sinéad O’Connor
20. Sunbathing Animal by Parquet Courts
21. Royal Blood by Royal Blood
22. Art Official Age by Prince
23. Beauty & Ruin by Bob Mould
24. Turn Blue by the Black Keys
25. Most Messed Up by the Old 97’s
26. Sonic Highways by Foo Fighters
27. Days of Abandon by the Pains of Being Pure at Heart
28. Benjamin Booker by Benjamin Booker
29. Rips by Ex Hex
30. Sukierae by Tweedy (2 CDs)
31. Lost in the Dream by War on Drugs
32. Ryan Adams by Ryan Adams
33. Ultraviolence by Lana Del Ray
34. Plectrum Electrum by Prince & 3rdeyegirl
35. Cheek to Cheek by Tony Bennett & Lady Gaga
36. Classics by She & Him
37. …And Then You Shoot Your Cousin by the Roots
38. Ghost Stories by Coldplay
39. Too True by Dum Dum Girls
40. The Endless River by Pink Floyd

 

The New Pornographers, “Dancehall Domine”

Bruce Springsteen, “High Hopes”

St. Vincent, “Digital Witness”

The Hold Steady, “I Hope the Whole Thing Didn’t Frighten You”

Jenny Lewis, “Just One of the Guys,” performed live
https://www.youtube.com/watch?v=hUWjlUSgm_Y

 

 

Comma Comma Comma Chameleon

This a Ben Yagoda article from the New York Times two years ago or so, but I just discovered it and enjoyed it…he wrote a very entertaining and illuminating book on writing, How Not to Write Bad, that my mom
bought me…

From the New York Times:

The Most Comma Mistakes
By BEN YAGODA MAY 21, 2012

As I noted in my earlier article, rules and conventions about when to use and not to use commas are legion. But certain errors keep popping up. Here are a few of them.
Identification Crisis
If I’ve seen it once, I’ve seen it a thousand times. I’m referring to a student’s writing a sentence like:

I went to see the movie, “Midnight in Paris” with my friend, Jessie.

Comma after “movie,” comma after “friend” and, sometimes, comma after “Paris” as well. None are correct — unless “Midnight in Paris” is the only movie in the world and Jessie is the writer’s only friend. Otherwise, the punctuation should be:

I went to see the movie “Midnight in Paris” with my friend Jessie.

If that seems wrong or weird or anything short of clearly right, bear with me a minute and take a look at another correct sentence:

I went to see Woody Allen’s latest movie, “Midnight in Paris,” with my oldest friend, Jessie.

You need a comma after “movie” because this and only this is Mr. Allen’s newest movie in theaters, and before “Jessie” because she and only she is the writer’s oldest friend.

The syntactical situation I’m talking about is identifier-name. The basic idea is that if the name (in the above example, “Jessie”) is the only thing in the world described by the identifier (“my oldest friend”), use a comma before the name (and after it as well, unless you’ve come to the end of the sentence). If not, don’t use any commas.

Grammatically, there are various ways of describing what’s going on. One helpful set of terms is essential vs. nonessential. When the identifier makes sense in the sentence by itself, then the name is nonessential and you use a comma before it. Otherwise, no comma. That explains an exception to the only-thing-in-the-world rule: when the words “a,” “an” or “some,” or a number, come before the description or identification of a name, use a comma.

A Bronx plumber, Stanley Ianella, bought the winning lottery ticket.

When an identifier describes a unique person or thing and is preceded by “the” or a possessive, use a comma:

Baseball’s home run leader, Barry Bonds, will be eligible for the Hall of Fame next year.

My son, John, is awesome. (If you have just one son.)

But withhold the comma if not unique:

My son John is awesome. (If you have more than one son.)

The artist David Hockney is a master of color.

The celebrated British artist David Hockney is a master of color.

And even

The gay, bespectacled, celebrated British artist David Hockney is a master of color.

(Why are there commas after “gay” and “bespectacled” but not “celebrated”? Because “celebrated” and “British” are different sorts of adjectives. The sentence would not work if “and” were placed between them, or if their order were reversed.)

If nothing comes before the identification, don’t use a comma:

The defense team was led by the attorney Harold Cullen.

No one seems to have a problem with the idea that if the identification comes after the name, it should always be surrounded by commas:

Steve Meyerson, a local merchant, gave the keynote address.

However, my students, at least, often wrongly omit a “the” or an “a” in sentences of this type:

Jill Meyers, sophomore, is president of the sorority.

To keep the commas, it needs to be:

Jill Meyers, a sophomore, is president of the sorority.

The Case of the Missing Comma
A related issue is the epidemic of missing commas after parenthetical phrases or appositives — that is, self-enclosed material that’s within a sentence, but not essential to its meaning. The following sentences all lack a necessary comma. Can you spot where?

My father, who gave new meaning to the expression “hard working” never took a vacation.

He was born in Des Moines, Iowa in 1964.

Philip Roth, author of “Portnoy’s Complaint” and many other books is a perennial contender for the Nobel Prize.

If you said “working,” “Iowa” and “books,” give yourself full marks. I’m not sure why this particular mistake is so tempting. It may sometimes be because these phrases are so long that by the time we get to the end of them, we’ve forgotten about the first comma. In any case, a strategy to prevent it is to remember the acronym I.C.E. Whenever you find yourself using a comma before an Identification, Characterization or Explanation, remember that there has to be a comma after the I.C.E. as well.

Splice Girls, and Boys
“Comma splice” is a term used for the linking of two independent clauses — that is, grammatical units that contain a subject and a verb and could stand alone as sentences — with a comma. When I started teaching at the University of Delaware some years ago, I was positively gobsmacked by the multitude of comma splices that confronted me. They have not abated.

Here’s an example:

He used to be a moderate, now he’s a card-carrying Tea Partier.

It’s easy to fix in any number of ways:

He used to be a moderate. Now he’s a card-carrying Tea Partier.

He used to be a moderate; now he’s a card-carrying Tea Partier.

He used to be a moderate, but now he’s a card-carrying Tea Partier.

He used to be a moderate — now he’s a card-carrying Tea Partier.

How to choose among them? By reading aloud — always the best single piece of writing advice — and choosing the version that best suits the context, your style and your ear. I would go with the semicolon. How about you?

Two particular situations seem to bring out a lot of comma splices. The first is in quotations:

“The way they’ve been playing, the team will be lucky to survive the first round,” the coach said, “I’m just hoping someone gets a hot hand.”

The comma after “said” has to be replaced with a period.

The other issue is the word “however,” which more and more people seem to want to use as a conjunction, comparable to “but” or “yet.” So they will write something like:

The weather is great today, however it’s supposed to rain tomorrow.

That may be acceptable someday. Today, however, it’s a comma splice. Correct punctuation could be:

The weather is great today, but it’s supposed to rain tomorrow.

Or

The weather is great today. However, it’s supposed to rain tomorrow.

Comma splices can be O.K. when you’re dealing with short clauses where even a semicolon would slow things down too much:

I talked to John, John talked to Lisa.

Samuel Beckett was the poet laureate of the comma splice. He closed his novel “The Unnamable” with a long sentence that ends:

… perhaps it’s done already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence, where I am, I don’t know, I’ll never know, in the silence you don’t know, you must go on, I can’t go on, I’ll go on.

Which goes to show, I suppose, that rules are made to be broken.

Ben Yagoda

Correction: In an earlier version of this article, the example involving “Midnight in Paris” mistakenly said a comma was needed after the name “Jessie,” rather than before it.

Ben Yagoda is a professor of English at the University of Delaware and the author of, among other books, About Town: The New Yorker and the World It Made and The Sound on the Page: Style and Voice in Writing. He blogs for the Chronicle of Higher Education and his own blog, Not One-Off Britishisms.
comma2-blog427

This Week’s Turntable…

  1. Apollo Theater 03/09/12 by Bruce Springsteen & the E Street Band {official bootleg} (2 CDs; 2014)
  2. Brill Bruisers by the New Pornographers (2014)
  3. Monuments to an Elegy by Smashing Pumpkins (2014)
  4. Most Messed Up by the Old 97’s (2014)
  5. They Want My Soul by Spoon (2014)
  6. So Red the Rose by Arcadia {Duran Duran side project} (1985)
  7. Ryan Adams by Ryan Adams (2014)
  8. Benjamin Booker by Benjamin Booker (2014)
  9. 1000 Years of Popular Music by Richard Thompson (2003)
  10. Lost in the Dream by War on Drugs (2014)

What are you listening to?

Arcadia, “Election Day”

Richard Thompson, “Oops I Did It Again”

 

 

 

The Ghost of the 21st Amendment…

About damn time…

From RollingStone.Com:
Congress Ends Medical Marijuana Prohibition With Spending Bill Provision
Federal drug agents will no longer be able to raid retail outlets

By Kory Grow | December 16, 2014

Congress passed a federal spending measure over the weekend that includes a provision that will end the federal government’s medical marijuana ban. The measure precludes the Department of Justice and the DEA from preventing states from passing laws that authorize medical marijuana use, distribution, possession or cultivation. The L.A. Times reports that the prospective law would prohibit federal drug agents from raiding retail outlets in the 32 states and District of Columbia where the drug is legal for medicinal use. President Obama is expected to sign the spending bill this week, making it a law.

“The federal government should never get in between patients and their medicine,” said Democratic Representative Barbara Lee of California told the Times.

The spending measure, which totals 1,603 pages, was championed by Republican Rep. Dana Rohrbacher and Democrat Rep. Sam Farr, both of California. “This is a victory for so many,” Rohrabacher told the Times. He added that Congress’ approval of the measure marked “the first time in decades that the federal government has curtailed its oppressive prohibition of marijuana.” The bipartisan push for the bill could also appeal to millennial voters whom Republicans are trying to attract, the Times suggest.

Despite the prospective law, the DEA continues to classify marijuana in the same category as heroin, LSD, ecstasy and peyote, substances with no “accepted medical use and a high potential for abuse.” The agency currently considers marijuana more dangerous than cocaine.

Last month, Oregon, Alaska and Washington, D.C. voted to legalize marijuana to varying degrees. Because D.C. is a district and not a state, political pundits speculated at the time that politicians would attempt to overrule the vote.

That worry came true within the same spending measure that passed the anti-prohibition provision. Republican Rep. Andy Harris of Maryland, who has opposed marijuana laws, included an amendment that could overturn recreational weed laws in the district for much of 2015, according to The Washington Post. He has since become persona non grata at many businesses in the city. The Post reports that one shop, Capitol Hill Bikes, has gone so far as to tape an image of the congressman to its door with the words “NOT WELCOME” written on it, while a tumblr has popped up urging Washingtonians to blacklist Harris.

“D.C. is not a state,” Harris told reporters in his defense last week, according to Talking Points Memo. “I’m sorry, it’s not a state.”

Read more: http://www.rollingstone.com/politics/news/congress-ends-medical-marijuana-prohibition-spending-bill-provision-20141216#ixzz3M5KL84Ye

This Week’s Turntable…

  1. Monuments to an Elegy by Smashing Pumpkins (2014)
  2. Most Messed Up by the Old 97’s (2014)
  3. Classics by She & Him (2014)
  4. Benjamin Booker by Benjamin Booker (2014)
  5. Cheek to Cheek by Tony Bennett & Lady Gaga (2014)
  6. “Heroes” by David Bowie (1977; Ryko edition)
  7. Sukierae by Tweedy (2 CDs; 2014)
  8. Sunbathing Animal by Parquet Courts (2014)
  9. Ryan Adams by Ryan Adams (2014)
  10. Lost in the Dream by War on Drugs (2014)

What are you listening to?

Tony Bennett & Lady Gaga, “Anything Goes”

She & Him, “Stay Awhile”

Smashing Pumpkins, “Tiberius” (static video)

 

 

 

This Week’s Turntable…

  1. The Album Collection Vol 1: 1973-1984 by Bruce Springsteen & the E Street Band {contains the first seven albums remastered} (8 CDs; 2014)
  2. Brill Bruisers by the New Pornographers (2014)
  3. XXII II MCMXCIV by Nirvana {bootleg} (1994)
  4. Sonic Highways by Foo Fighters (2014)
  5. A Day at the Races by Queen (1976)
  6. Lost on the River: The New Basement Tapes by the New Basement Tapes {which consists of Elvis Costello, Marcus Mumford from Mumford & Sons, Jim James from My Morning Jacket, Rhiannon Giddens of the Carolina Chocolate Drops, and Taylor Goldsmith of Dawes, all of whom wrote music to newly discovered Bob Dylan lyrics from 1967; produced by T Bone Burnett} (2014)
  7. They Want My Soul by Spoon (2014)
  8. Royal Blood by Royal Blood (2014)
  9. Songs of Innocence by U2 (2 CDs; 2014)
  10. Twice Upon a Time – The Singles by Siouxsie & the Banshees

What are you listening to?

Bruce Springsteen & the E Street Band, “Glory Days”

Siouxsie & the Banshees, “Peek-a-Boo”

https://www.youtube.com/watch?v=5PjUY8IXvnA

 

 

This Week’s Turntable…

1.    The Album Collection Vol 1: 1973-1984 by Bruce Springsteen & the E Street Band {contains the first seven albums remastered} (8 CDs; 2014)
2.    Brill Bruisers by the New Pornographers (2014)
3.    Lost on the River: The New Basement Tapes by the New Basement Tapes {which consists of Elvis Costello, Marcus Mumford from Mumford & Sons, Jim James from My Morning Jacket, Rhiannon Giddens of the Carolina Chocolate Drops, and Taylor Goldsmith of Dawes, all of whom wrote music to newly discovered Bob Dylan lyrics from 1967; produced by T Bone Burnett} (2014)
4.    Royal Blood by Royal Blood (2014)
5.    Sonic Highways by Foo Fighters (2014)
6.    A Day at the Races by Queen (1976)
7.    They Want My Soul by Spoon (2014)
8.    The Endless River by Pink Floyd (2014)
9.    “Heroes” by David Bowie (1977)
10.    Perfect Hits 1975-1981 by Generation X {compilation} (1991)

What are you listening to?

The New Basement Tapes, “Spanish Caravan”

Royal Blood, “Figure It Out”

Queen, “Somebody to Love”

Bruce Springsteen, The Remastering of The Album Collection Vol 1